Last night kicked off the start of the Bococa Arts Festival. I was there, camera clad, to start shooting some footage a proposed documentary following the festival. After the experience, a few things came to mind.
Unconventional performance locations are difficult to film in. The lighting sucks, it's crowded, loud, and hard to move around in.
My shoulder mount was a little too big, bulky and heavy last night, a disappointing realization, I must say. Today I'm removing the shoulder pad and fore grip, so I'm going to stick the basic rail system on my monopod and run around like that.
I would love to have a bunch of lenses that were 1.8 or faster. The sigma lens I got performed well, but as the sun went down, it really became too dark in the bar, so I had to bump up to higher ISO speeds, making for a noisy picture. At one point, I swapped lenses for my Canon EF 50mm with the f/1.8, and man it was super sweet. I shot at slower ISOs, got some great shallow depth of field, did some rack focusing, it was a blast. The only down side, is that in a small bar, you'll only get two members of the band in a shot at that focal length. I'll figure it out.
Showing posts with label Bococa Arts Festival. Show all posts
Showing posts with label Bococa Arts Festival. Show all posts
Saturday, June 19, 2010
Thursday, June 17, 2010
Finished Promotional Video
Here is the promotional video for the Bococa Arts Festival, kicking off in Brooklyn tomorrow. I shot, edited and color corrected the video using my Canon Rebel T2i, Final Cut Pro 7, and Magic Bullet Looks, among other things.
The camera performed outstandingly well, and I was working with a great group of people. The actors were upbeat, and willing to try different things. Eileen, the Producer was also quite chipper, and was great at getting what she wanted out of the actors.
Early on in the shoot, the group of us started thinking that the original script...well left something to be desired, so we made some changes as we made our way around Brooklyn, and I think the final short is better because of it.
The pigeon scene was actually the most difficult shot to get. Originally we tried getting that shot in an alley way next to Cobble Hill Park, but the trees were dropping seeds, and the pigeons had no interest in our stale bread crumbs.
We then shot the bridge scene, when I remembered from my college days, all the birds in the Brooklyn Bridge park, so we tried our luck there. At one point we had about 50 birds covering the BoCoCa sign, until a truck roared by and scared them off. The shot I ended up using wasn't 50 birds, but it still looked pretty cool.
In conclusion, it was great working with such a flexible, fun group of people. Film is a creative process just like any other art, and I've found the final product is always better when you involve members of your cast and crew in the process. When everyone is an active participant in the creative process, and not just standing by taking orders, the energy of the shoot is totally different, and I love it. That's how I like to work. At times I will draw the line and say something can't be done, but all and all, I like to go with the flow.
Oh, and next, sun block is a must. We all got wicked sun burn. It was difficult to hide it on the actors, and I think it can be seen in some shots. Oops!
The camera performed outstandingly well, and I was working with a great group of people. The actors were upbeat, and willing to try different things. Eileen, the Producer was also quite chipper, and was great at getting what she wanted out of the actors.
Early on in the shoot, the group of us started thinking that the original script...well left something to be desired, so we made some changes as we made our way around Brooklyn, and I think the final short is better because of it.
The pigeon scene was actually the most difficult shot to get. Originally we tried getting that shot in an alley way next to Cobble Hill Park, but the trees were dropping seeds, and the pigeons had no interest in our stale bread crumbs.
We then shot the bridge scene, when I remembered from my college days, all the birds in the Brooklyn Bridge park, so we tried our luck there. At one point we had about 50 birds covering the BoCoCa sign, until a truck roared by and scared them off. The shot I ended up using wasn't 50 birds, but it still looked pretty cool.
In conclusion, it was great working with such a flexible, fun group of people. Film is a creative process just like any other art, and I've found the final product is always better when you involve members of your cast and crew in the process. When everyone is an active participant in the creative process, and not just standing by taking orders, the energy of the shoot is totally different, and I love it. That's how I like to work. At times I will draw the line and say something can't be done, but all and all, I like to go with the flow.
Oh, and next, sun block is a must. We all got wicked sun burn. It was difficult to hide it on the actors, and I think it can be seen in some shots. Oops!
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